Students of the Ailey/Fordham BFA program perform Fatal I, a contemporary ballet originally created for The Juilliard School, set to music by Skyler Maxey-Wert, as part of their fall concert.

Students of the Ailey/Fordham BFA program perform Fatal I, a contemporary ballet originally created for The Juilliard School, set to music by Skyler Maxey-Wert, as part of their fall concert.

Students of the Ailey/Fordham BFA program perform Fatal I, a contemporary ballet originally created for The Juilliard School, set to music by Skyler Maxey-Wert, as part of their fall concert.

Students of the Ailey/Fordham BFA program perform Fatal I, a contemporary ballet originally created for The Juilliard School, set to music by Skyler Maxey-Wert, as part of their fall concert.

Houston Thomas makes his debut with Complexions Contemporary Ballet and at New York’s iconic Joyce Theater with Young Lovers—a fresh, soulful work set to music by Jeff Buckley, Tarika Blue, and Masters at Work (MAW). Presented as part of Complexions’ electrifying 31st season, Young Lovers joins a dynamic program that blends technical mastery, raw energy, and heartfelt storytelling. Don’t miss this thrilling evening of contemporary ballet that celebrates innovation and passion on one of the world’s most prestigious stages.

Houston Thomas makes his debut with Complexions Contemporary Ballet and at New York’s iconic Joyce Theater with Young Lovers—a fresh, soulful work set to music by Jeff Buckley, Tarika Blue, and Masters at Work (MAW). Presented as part of Complexions’ electrifying 31st season, Young Lovers joins a dynamic program that blends technical mastery, raw energy, and heartfelt storytelling. Don’t miss this thrilling evening of contemporary ballet that celebrates innovation and passion on one of the world’s most prestigious stages.

Houston Thomas makes his debut with Complexions Contemporary Ballet and at New York’s iconic Joyce Theater with Young Lovers—a fresh, soulful work set to music by Jeff Buckley, Tarika Blue, and Masters at Work (MAW). Presented as part of Complexions’ electrifying 31st season, Young Lovers joins a dynamic program that blends technical mastery, raw energy, and heartfelt storytelling. Don’t miss this thrilling evening of contemporary ballet that celebrates innovation and passion on one of the world’s most prestigious stages.

Houston Thomas makes his debut with Complexions Contemporary Ballet and at New York’s iconic Joyce Theater with Young Lovers—a fresh, soulful work set to music by Jeff Buckley, Tarika Blue, and Masters at Work (MAW). Presented as part of Complexions’ electrifying 31st season, Young Lovers joins a dynamic program that blends technical mastery, raw energy, and heartfelt storytelling. Don’t miss this thrilling evening of contemporary ballet that celebrates innovation and passion on one of the world’s most prestigious stages.

Houston Thomas makes his debut with Complexions Contemporary Ballet and at New York’s iconic Joyce Theater with Young Lovers—a fresh, soulful work set to music by Jeff Buckley, Tarika Blue, and Masters at Work (MAW). Presented as part of Complexions’ electrifying 31st season, Young Lovers joins a dynamic program that blends technical mastery, raw energy, and heartfelt storytelling. Don’t miss this thrilling evening of contemporary ballet that celebrates innovation and passion on one of the world’s most prestigious stages.

Houston Thomas makes his debut with Complexions Contemporary Ballet and at New York’s iconic Joyce Theater with Young Lovers—a fresh, soulful work set to music by Jeff Buckley, Tarika Blue, and Masters at Work (MAW). Presented as part of Complexions’ electrifying 31st season, Young Lovers joins a dynamic program that blends technical mastery, raw energy, and heartfelt storytelling. Don’t miss this thrilling evening of contemporary ballet that celebrates innovation and passion on one of the world’s most prestigious stages.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.