Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

Houston Thomas makes his debut with Golden State Ballet in Seasons, set to Max Richter’s vibrant reimagining of Vivaldi’s The Four Seasons. Part of the dynamic program The Four Seasons, this new work explores the cycles of change and renewal through a contemporary ballet lens. Sharing the stage with George Balanchine’s timeless Allegro Brillante and premieres by emerging company artists, Seasons offers audiences a fresh, expressive journey that bridges tradition and innovation on the historic Balboa Theatre stage.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.

For his first creation on the main stage of a German opera house, choreographer Houston Thomas presents Echoes in the Dark for Staatsballett Karlsruhe—set to an original score by Johannes Goldbach. Part of the compelling triple bill Statements, this new work reimagines classical ballet language through a contemporary lens, uncovering fresh layers of meaning and resonance. Sharing the evening with Jiří Kylián’s iconic Petite Mort and Raimondo Rebeck’s Blind Dreams, Echoes in the Dark offers audiences a powerful, modern statement on movement, emotion, and transformation.